Complete product information
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"title": "5.0 out of 5 stars Breath of Fresh Air, and Nourishment for the Soul.",
"body": "John Waters recently produced a countercultural personal manifesto, \"Cecille B. Demented,\" in which he specifically targets two of the most depressiingly bad, yet representative, films of the 90's--\"Patch Adams\" and \"Forrest Gump.\" But Waters' strained, juvenile ranting, for whatever therapeutic value it contains, is ultimately as lame and ineffectual as the films occasioning his rage. The only effective response to the mind-deadening, sedating Pavlonian formulas that pass for movies these days is a truly fresh, well crafted, yet perpetually playful, cinematic statement like Tarantino's dazzling \"Pulp Fiction.\" Whatever you've heard, it's no \"Citizen Kane,\" but in the context of the films of the day, its style and methods are certainly analagous to Welles' breakthrough film. If any proof of \"Pulp Fiction's\" singular artistry is needed, just compare it to \"Natural Born Killers,\" Oliver Stone's subsequent, over-the-top attempt to beat Tarantino at his own game. Whereas Tarantino knows how to amuse and delight by using familiar patterns (the variation on the buddy theme, for example) which engage our human interest despite the unexpected contexts, Stone merely distances us from all the mayhem on screen, which generates about as much interest as watching someone else play a video game. But now I'm going to suggest something shocking, especially to all those hip critics and postmodern types who insist \"Pulp Fiction\" is a statement against meaning and interpretation, that the whole point of the cinematic experience is the experience, that \"Pulp Fiction\" is a 90's cinematic fun house, a celluloid carnival ride on which you go with the flow and miss the trip if you attempt to question any of the moments comprising its visual rush: The film has a potent message. As retro as Jules looks with his Afro-do, he's also a questioning Samuel, a wayward Old Testament prophet trying to sort out the meaning of justice, righteousness, and grace. When I ask young people about the film, they see Jules' \"transition\" as proof of a character who changes for the better, who for one moment at the end of the film stops being a self-appointed executor and takes on the role of the protective, forgiving Good Shepherd. Truthfully, I find the foregoing interpretation reductive. What's significant, however, is that many young viewers make an intepretation at all. In a culture that has for all appearances rejected the unexamined life in favor of measuring identity by MacDonald's vs. Burger King consumer tastes, Jules' act of interpretation is all the more noteworthy. And he offers not one, but no less than 4 interpretations of Ezekiel 25:17 before reaching the one that forces him to acknowledge both the thoughtlessness and arrogance of his previous interpretations. It's a moment, perhaps, that does not convince us of its lasting impact. But then again, Jules, like most of us, makes no claim to being \"saved\": he's in a state of \"transition,\" doing the best he can to be a \"good Shepherd\" as much of the time as he's able. What more could any of us ask of Jules--or, for that matter, of ourselves? Read more",
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"title": "5.0 out of 5 stars In a word, Amazing!",
"body": "When people ask what my favorite movie is, I almost hate to say it's Pulp Fiction. The reason I hate to say it is because people think \"whatever\" as if I'm just jumping on the Pulp Fiction bandwagon and following all the people that say it's such a great movie. I don't think that's as much of a problem any more since there's probably more Tarantino/Pulp Fiction backlash than anything else now days. But, in all honesty, I thought this was an amazing film long before I knew what people would be saying about it (I saw it the day it opened and knew nothing about it... see below as to why I saw the movie in the first place) I'm sure there isn't much that needs to be said about this movie that hasn't already been said. I'm sure most people have seen it and most people know what its about. But I can say that this is the first movie that made me realize movies aren't just some people standing in front of a camera talking. I had always watched movies as pop entertainment. I never really thought about them as far as artistic matters are concerned. But, after I saw this move (again and again and again) I realized that there was more to movies than just some people standing in front of a camera and talking. I started to realize that things were done for a reason. The camera movement, camera angles, the editing, everything was done with a purpose. After seeing Pulp Fiction I became fascinated with movies. Now after all the years since its release I've learned a lot about movies and can appreciate them on another level. I see things that, until Pulp Fiction got me interested in movies, I would have missed. So, thanks to Pulp Fiction I have a great appreciation for movies... as entertainment and now as art as well. Now, when I re-watch movies that I had seen before, I can watch them with a new appreciation and understanding. Just to illustrate how little I knew about movies and how I only viewed them as pop entertainment and nothing more... the only reason I went to see Pulp Fiction movie when it first opened was because Bruce Willis was in it. Not that there is anything wrong with Bruce Willis, but I'm sure you know the type of movie he is known for (heck, it was even mocked by Robert Altman and Bruce himself in \"The Player.\"). Those were the movies I liked because they had a lot of explosions and excitement. I didn't know what a truly great movies was before Pulp Fiction. So that is why Pulp Fiction is my favorite movie and one of the best movies I've ever seen. If you haven't seen it... which I doubt since I think everybody has seen it by now, then you need to see this movie. Read more",
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"title": "5.0 out of 5 stars Super classic!",
"body": "5 star classic! Read more",
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